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Hear Tony Iommi’s isolated guitar track on “War Pigs”

Hear Tony Iommi's isolated guitar track on War Pigs

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Hear Tony Iommi’s isolated guitar track on “War Pigs”

One of the coolest songs of all time, and definitely a top 5 on Black Sabbath’s best tracks. It is the opening track from their 1970 album Paranoid. Now, you are able to hear the amazing Tony Iommi’s isolated guitar track.

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The song

The original title of “War Pigs” was “Walpurgis”, dealing with the witches’ Sabbath. “Walpurgis is sort of like Christmas for Satanists. And to me, war was the big Satan”, said bassist and lyricist Geezer Butler. “It wasn’t about politics or government or anything. It was [about] evil. So I was saying ‘generals gathered in the masses / just like witches at black masses’ to make an analogy. But when we brought it to the record company, they thought ‘Walpurgis’ sounded too Satanic.

And that’s when we turned it into ‘War Pigs’. But we didn’t change the lyrics, because they were already finished.” Prior to its official release, the band often altered the lyrics significantly when performing it live. An example of this can be found on Ozzy Osbourne’s compilation The Ozzman Cometh, which features an early version recorded by Black Sabbath for BBC Radio 1 on 26 April 1970.

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While Butler has said that “War Pigs” is “totally against the Vietnam War, about how these rich politicians and rich people start all the wars for their benefit and get all the poor people to die for them”, vocalist Osbourne has stated that the group “knew nothing about Vietnam. It’s just an anti-war song.” The song’s instrumental outro is entitled “Luke’s Wall”.

Drummer Bill Ward’s first memory of performing the song was at The Beat Club in Switzerland in 1968. The band was required to play multiple sets every night and had little material in their repertoire at that point, so they would perform lengthy jam sessions to fill in the sets. Iommi has said that “War Pigs” originated from one of those jam sessions.

The addition of the air-raid siren and the speeding up of the song’s end were done by producer Rodger Bain and engineer Tom Allom. The band had no input in these decisions, though they were pleased with the results.

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I'm a Brazilian journalist who always loved Classic Rock and Heavy Metal music. That passion inspired me to create Rock and Roll Garage over 6 years ago. Music has always been a part of my life, helping me through tough times and being a support to celebrate the good ones. When I became a journalist, I knew I wanted to write about my passions. After graduating in journalism from the Pontifical Catholic University of Minas Gerais, I pursued a postgraduate degree in digital communication at the same institution. The studies and experience in the field helped me improve the website and always bring the best of classic rock to the world! MTB: 0021377/MG

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