Ex-Motörhead guitarist Phil Campbell talked with Ultimate Guitar and said that to make great music you don’t have to own a expensive gear.
“With Motorhead, I would probably have 10 or 15 different guitars in there. But I would never use a guitar just because it was a big-name guitar. If it was a $70 Walmart Strat and it happened to sound good with a bit of tweaking, I’d use that. We did whatever was good for the sound.”
Yeah I’ve got the original one – the one that the run of signature models was based on. But the signatures have all gone except for the original, which I still have. I’ve got the Jim Marshall one, the tribute one. It’s got a picture of Jim on the front. But yeah, I have loads of LAGs they’re a great company and everything. I’m using some Relish Guitars – they’re made by the Relish Brothers, it’s a Swiss company, and they’re great.
“If you know what you’re doing, and you string it up right, you can make a great racket on a $30 guitar as long as you’ve got the insight and direction. I don’t know, there are so many makes out there now but I would advise anyone to find something that sounds good to you and go with it. You’ve just got to make sure you have clean strings – wipe your strings after every session.
“Old strings can let down a session badly. We’ve all done it in the past. Sometimes people can’t afford new strings all the time so make sure you take the time to clean them. Spray them with something, hell piss on them – that would probably clean them up a bit. It probably would – if it can get rid of a snakebite or whatever, it should surely clean up some strings.”
“I did have an 8 pound acoustic guitar where the neck had broken off and it was glued on badly. But my first guitar was probably a Columbus Les Paul copy. It cost about 25 pounds in the late 60’s. I don’t remember what songs I tried learning first – probably Hendrix or Gentle Giant or something like that. I tried to learn but failed badly. It may have been ‘Big Yellow Taxi’ by Joni Mitchell – I was in a folk group in school for a while but not for very long.”
“No actually I was in the school brass band so I learned treble clef on tenor horn first, then for trumpet, I had headaches playing the trumpet so I went on for a few years after that to play the trombone. So I was reasonable competent on a treble clef for the three brass instruments. I did start notation for the guitar but I don’t know what went wrong but I should have stuck with it. I was a treble clef man for 4-5 years but it wouldn’t make no sense to me now. I’d have to be a scholar and I don’t want to be a scholar anymore.”
“I think that the beauty and the magic of music is that there are no rules, or there shouldn’t be at least. It’s just what happens. It’s how you run with it. If you’re not trying to create beauty, create something that makes a statement. Some of the most incredible players, in my opinion, in the world probably can’t read music. And that’s fine as long as you have a feel for it.
“My personal philosophy is I just close my eyes and hope for the best, really. It’s worked for me for many years. I don’t have a clue what I’m doing on stage when I’m playing. I just pretend I know what I’m doing.”
I am a Brazilian journalist, a Classic Rock and Heavy Metal lover. Music has always been part of my life, helped me through tough moments and was with me to celebrate the good ones. When I became a journalist I knew I wanted to write about my passions. After college I did a postgraduate degree in digital communication. This has helped me to make the website better and bring the best of classic rock to the world! MTB: 0021377/MG